A very entertaining read and not one you have to read consecutively if you're looking for something to dip in and out of. Feb 14, Elinor Loredan rated it really liked it Shelves: I like seventy-two stories out of two hundred something--not bad. Some stories enchanting, some wise, some clever or humorous, while others are simply strange, too violent and ruthless for me, or make absolutely no sense.
None are blah, that's for sure, though many themes and plot points repeat themselves.
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The Children's Legends at the end were odd, with someone dying at the end of each one. Mar 10, Danielle Morgan rated it it was amazing Shelves: my-library. There's nothing that makes you feel more alive with imagination than a good fairy tale! There's really nothing more you can say but, pick it up and give it a try for yourselves! Laura Welch rated it really liked it Apr 04, Eliza A. Karina rated it liked it Jul 21, Erin rated it it was amazing Aug 14, Julie rated it really liked it Apr 09, Sefton rated it it was amazing Feb 21, Tania rated it really liked it Jun 17, Christina rated it it was amazing Jan 27, Elle rated it liked it Sep 08, Robert Collins rated it liked it May 22, Barbara A.
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Thompson rated it it was amazing Oct 19, Roy Santos II rated it liked it Feb 28, Norman Van Der Linde rated it liked it Feb 22, Opalgem rated it it was amazing May 07, Maggie Ann Bain rated it it was amazing Aug 06, Frances rated it liked it Mar 28, Cathy Geagan rated it it was amazing Jan 16, Josie rated it it was amazing Jan 13, Lucy rated it really liked it Mar 25, Howard rated it liked it Jan 30, Scott Fitzgerald.
Fyodor Dostoyevsky. James Joyce. Leo Tolstoy.
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Oscar Wilde. Jane Austen.
Virginia Woolf. Emily Bronte.
Cinderella, Sleeping Beauty, Hansel and Gretel and many more classic stories
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Harry Potter. In adult reworkings of fairy tales, almost anything goes, and in a creative flash, the girl in red can turn into Red Hot Riding Hood. When it comes to versions for children, the urge to preach becomes almost irresistible. We put tight constraints on improvisation, insisting on morals, even when they do not square with the facts of the story. Once we orient fairy tales toward children, we forget that they were engineered for entertainment, less invested in sending messages than in producing shock effects so powerful that to this day we feel compelled to talk about them, reinvent them and pass them on.